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Archive for the ‘Music Therapy’ Category

An inventory of what I have done in my studio over the last year has proved a bit surprising—or maybe not!  For 8 months out of the 12, I have been gimped with ortho issues. A shoulder replacement in late 2017 had only just begun to heal when a hip kicked in saying, “Hey, it’s not fair. I want some of this attention.”

Two major hip surgeries later (the 1st, a total hip replacement and the 2nd, to repair a severely fractured femur with screws, metal hooks, and wires that make me think of civil engineered bridge construction) I am still hobbling and spending much of the time off my feet.

For several weeks it was 1 leg only, to navigate this “kid in an old body” to and from a cozy living room couch (my 24/7 hangout) to a bathroom (about 5 yards away), my piano right behind my couch, and an extra art studio which my wonderful husband set up for me at the nearby end of our dining room table.

Books, limited piano practice which—although done sitting down—wore me out, my French tutorial apps and a Public Television app on my I-pad (I re-watched the entire DOWNTON ABBEY), serial-shopping on Amazon (FUN/FUN/FUN!), Van Cliburn and other geniuses streaming through my devices into our fine speakers day and night (1 of which speakers was conveniently located beside my ear on my 24/7 couch), my knitting (how many cowls does anyone need?), and ART made up my life for much of 2018.

Who needs to cook, scrub floors, vacuum, and dust anyway?

I normally avoid medical discussions except with those professionals to whom Medicare is paying me to complain, but the above diatribe is to demonstrate how life can be a lot of fun under rather strange circumstances! And how art can thrive, when pain and disability prevail. One’s pain can literally be “drowned” in paint, especially the wet into wet method of working which I prefer.

Anyway, my inventory yielded a surprising 35 paintings that I actually like. (There are always the “duds” which get stashed on a shelf for possible reworking or salvaging parts; or sometimes they are so outrageous that I trash them.)

The keepers range from (3) 20″ x 24″ biggies, a 16″ x 20″, a handful of 11″ x 14″ renderings, and a preponderance of 12″ x 16″ paintings—obviously my favorite size. The paintings are predominately woodland scenes and funky individual trees—with a smattering of flowers, a sailboat in trouble, some landscapes with distant castles, a still life (my least favorite), and a huge, totally abstract on Yupo Paper which I LOVE most of all.

Although my inventory preferences are not exactly written in the proverbial stone, they are indicative—and it was fun reviewing a year of art making, body disability notwithstanding.

The year’s earnings amounted to $700.00 which constituted a donation to, and sale at, our local art group’s annual fundraiser. My dislike of office type stuff is such that I can find no record of which paintings I donated. I believe they were “masterpieces” from former years.

Also, I give paintings to interested friends and family members. As with club donations, my right hand (very happily) does not know what my left hand is doing.

I share many of my favorites via prints glued to notecards, thus bragging about my art while facilitating my passion for writing actual letters as opposed to emails.

Above are the end of 2018 renderings, hardly even dry when I photographed them with my I-phone camera. They tend to make me think of Spring, and they are my HAPPY NEW YEAR to you!

Margaret L. Been, December 31st, 2018

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Throughout weeks of laying low after surgery to mend a broken femur, I have nestled close to 1 of 2 speakers which stream the finest music of the Western World from my I-Phone to my ear.

Among my favorites are Brahms’ incredibly stirring Hungarian Dances.  I have all 21 of them on my phone and pad, performed by the Berliner Symphoniker—and they make me want to fling myself around the room in wild abandon*, gimpy leg notwithstanding.

But in lieu of flinging, I have been painting—between earfuls of Brahms’ haunting Gypsy style refrains.  And the resulting art?  Well it has been wisely said that music is never neutral.  It pervades our psyche and helps to make us whom we are!

In my case, a Boho soul.  I have named the above renderings my “Boho Trees” series.  If you think the trees are strange, just blame Brahms.  Or better yet, stream his Hungarian Dances and get with the flow!

Margaret L Been — December 11th, 2018

*Flinging myself about a room in wild abandon is what I did regularly, as a young child.  My mother was a classical pianist.  She played the Hungarian Dances, and many other selections which motivated me to bounce from couch to chair, whirl in circles till I was dizzy, and then fall on the floor.  So maybe you can view the art and blame Mom!  MB

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For the last two decades, Joe and I have made a pilgrimage West at least once a year—frequently in the Winter or early Spring.  Our destinations were Colorado and New Mexico, and we combined our love for the West with a visit to loved ones who live near Denver.

This year, the trip is not happening—but never mind.  My paintbrush travels to the High Rockies of Colorado, to the adobe houses of Taos and Santa Fe, NM, and to those fascinating Cliff Dwellings on the Four Corners.  Just as I never tired of traveling West, I will always love reading about the West via documentaries, histories, and Louis L’Amour novels.  And likewise, I probably will never tire of painting the West.

My favorites of L’Amour’s novels are those mysterious tales of lost canyons, valleys, and ancient cities in the regions surrounding the Cliff Dwellings.  My mind paints as I read, and eventually the paint materializes on paper.  Hence the above pair—Lost Valley of the Ancients I & II.

The paintings are propped on another passion of mine—my piano.  A collection of Scott Joplin rags peeks over the painting on your right as you view the photo.  Playing a Joplin rag never fails to make me smile!  Such mellow music, with soul! 

To the left of Scott Joplin, sits my venerable book of classics by Mozart, Schubert, Chopin, Beethoven, etc., which are infinitely satisfying to play.  (That’s why they are classics!)  The book was my mother’s, and it dates to the late 1920s or early 30s.  Not only did she gift me with her love for music, and of course the music lessons, but she left me the actual music books to enjoy.  My fingers don’t flow as effortlessly across the keys as hers did, but with practise I can play.  Mom would be pleased! 

Meanwhile, with books, paints, and a piano I really don’t need a “vacation”!  It’s all here, at home!  🙂

Margaret L. Been, ©2012

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Here is our view at dusk, over the bay at our northern home.  The original photo is beautiful, but not quite so colorful.  I beefed up the color, and also added the stars, on my HOME PHOTO STUDIO program.

I have a couple of friends who are so vehemently opposed to computers that they wouldn’t be caught dead accessing a website or reading a blog.  Yet these friends enjoy my printed out art and photos, sometimes digitally enhanced and glued to cardstock.  I’ve not bought any note papers or stationery for years, as my originals are fun to produce—and my note papers are appreciated.

Since 1995, when I got my first computer (of which I was terrified at first) I’ve enjoyed opportunities for learning, viewing art, and listening to music which I never before dreamed of.  It baffles me how anywould think our technology is “cold and impersonal” when it brings so much life, vitality, and creativity to our fingertips!  I cannot get to art museums, and even our local libraries are limited in art literature—yet online I can find centuries of “immortality” in the arts.

Technology has opened a wonderful world of sharing!  🙂

Margaret L. Been, ©2011

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Last evening I had a BDN.  That’s “Bad Disc Night”—not “disc” as in computers, boom boxes, or DVD players, but discs in the lumbar region of my body.

Joe and I like to go to bed early with our books and George Winston.  George is not actually present in person in our home, but we have 3 and 1/2 hours of him on our IPOD mounted on a boom box.  We play all kinds of music in the daytime—from opera, to requiems, to symphonies, and Celtic harp.  But at night only that poet of the piano, George Winston, will do.

Last night even George, my achey/bakey (a flannel bag filled with feed corn and heated in the microwave), and my prescription pain medication were no help.  Bad discs!

I was studying a newly purchased book:  ART MAKING, COLLECTIONS & OBSESSIONS, by Lynne Perella.  This book, packed with pictures and inspiring text, contains “An Intimate Exploration of the Mixed-Media Work and Collections of 35 Artists.”

I read, viewed, and savored page after page of wonderfully funky stuff—shelves and boxes crammed full of tantalizing junk, plus art and unique groupings fashioned from junk by imaginative minds with skillful hands.  But even the delectable contents of my book, in tandem with the above-mentioned remedies, couldn’t tame those bothersome lumbar discs.

The book finally catapulted me out of bed and into the living room.  Suddenly I just had to create something—a little vignette on the coffee table by one of our sofas.  I gathered odds and ends, puttered, and voila:  the above table laden with some of my (many!) favorite things.

From left to right behind the platter of shells you will see:  the corners of two 1917 nature books with gorgeous watercolor illustrations given to me by a precious friend, Georgian, who married my Dad when he was a 95 year old widower; a watercolor sketch of Joe fishing, quickly done by me as I sat behind him in the boat while dipping my paintbrush in the lake; a Cheerios® mug containing not cereal, but rather a baby jade plant; and my watercolor rendition of a wolf cub howling his heart out.

On the mirrored platter you will find:  a variety of Atlantic Ocean shells and some coral; a 1920s crystal door knob; an elegant little notebook given to me by our daughter, Judy; a battery operated tea light in a green glass votive dish; a piece of tattered lace; and (left front) a diminutive, ornately framed photo of my two sisters when they were young—Ardis who was 8 years older than I, and Shirley, the sister who died before I was born.

After creating this scenario of beauty, and surveying my personal “art making” with much satisfaction, I went back to bed and also to sleep—raging discs notwithstanding,  

Margaret L. Been, ©2011

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