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Archive for the ‘Cliff Dwelling of the Southwest USA’ Category

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British fine artist Ann Blockley advocates picking an art subject about which one is passionate, and then building a file of photos, sketches, word descriptions, etc. dealing with the topic.  Eventually this resource will continue to seep in and ultimately create significant art.

I love the concept of building the resource file.  One subject very dear to me, a place where I spent some beautiful university and early marriage years, is the state of Colorado,  So I have been building a file of pleasant memories, focusing on that drop dead gorgeous part of the USA.

Specifically prominent in my memory is the environs of Colorado Springs and Manitou Springs—where my husband, our first child Laura, and I lived in 1956.  Our home was four rows of cottages up from Canyon Avenue on a foothill looming over stately Victorian mansions, where the wealthy of the late 1800s and early 1900s gathered to drink the allegedly-healthful waters of Manitou Springs.

In 1956, Colorado Springs was a sleepy Southwestern town of about 27,000 people—only slightly disturbed by the presence of the military, of which my husband was a part at Fort Carson.  Construction of the Air Force Academy began about the time Joe left the army for civilian life, when we returned to our native Wisconsin.

When we lived in Manitou Springs we were a young family, and we had only a primitive box camera in our limited stash of possessions—plus just a bit of extra cash for buying film.  I have only a few snapshots from that era, and naturally they are closeups of Laura—our darling first child.

So to resurrect the familiar scenic views of our neighborhood, I resorted to GOOGLE, and “he/she/or it” referred me to everything I could recall and more—views of Williams Canyon, The Cave of the Winds, the charming adobe houses and motels along Colorado Avenue in Old Colorado City, and of course The Garden of the Gods which we could see from our high-on-a-foothill bathroom window in Manitou Springs.

I printed out a stack of the online photos for my file, and added a string of my own sketches, rough watercolor and colored pencil renderings, plus word impressions—samples of which are pictured above.

The above drawing of a building is noteworthy—not my crude sketch but the history of the Colorado Springs area landmark, a mini castle called Glen Eyrie.  Glen Eyrie was built in 1871 by General William Jackson Palmer—the founder of Colorado Springs.  “The Glen”, as the castle is frequently called, is set on 750 acres.  There are 97 rooms of scenic Old World ambience, now tastefully refurbished with every modern convenience.

I recall this building to be dark and mysterious in 1956, and I always wondered about it when we drove by.  Whether or not refurbishing by new owners as of 1953 had begun when we lived in the neighborhood of The Glen, I cannot recall.

But if you GOOGLE “Glen Eyrie” as it is today, as well as it was before remodeling, you will see an amazing transformation in keeping with the castle’s Old World charm.  The “new owners of 1953” were and still are a Christian Campus and Community Ministry, THE NAVIGATORS* with a combined emphasis on evangelism and Biblical discipleship.

Glen Eyrie serves as a year-round NAVIGATORS’ conference center, especially meaningful to me as two of our six children were successfully “navigated” through the University of Wisconsin system via the NAVIGATORS.  Both our son, Karl, and daughter, Martina, have spent fruitful times at Glen Eyrie.

Thus my art file is building.  I am still waiting for some fantastic art to emerge, but oh what fun anyway!  Thank you, Ann Blockley.

Meanwhile, since all of Colorado and New Mexico are special to me, I do have a backlog of paintings inspired by vacations in those states.  Come along and see for yourself.

 

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And more!

Margaret L. Been — November 14th, 2018

*THE NAVIGATORS MINISTRY was founded by an evangelist, Dawson Trotman (1906-1956).  Trotman died while rescuing a young girl from drowning in a water-skiing accident, in New York State.  Since then, the ministry which Dawson Trotman began has resonated world-wide.  The Navigators Ministry has been used by God to save countless individuals from spiritual drowning. 

A beautiful picture of the truth of Psalm 116:15, “Precious in the sight of the Lord is the death of His saints.”

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The Cliffs Were Weirdly Lit

I am greatly blessed with the gift of a visual mind.  When I read, the scenes described in a book loom large before my eyes in living color.  Although I dearly love words, it’s actually the pictures which words evoke that thrill me—or terrify me, whatever the subject of the text may be.  Plot and character development are “biggies” in successful fiction, but for me it is a sense of place and the scenery which rise up larger than life.  I’m perfectly happy with a virtually plot-less novel and one with few characters, if the book abounds in adjectives and adverbs which delineate a scene so vividly that I think I am really there—en plein air!

Visually oriented people are tremendously contented with being “armchair travelers”.  I can take extensive voyages, pilgrimages, and treks anywhere in the world—all from the comfort of my sofa or my “read in bed” 1/2 armchair which serves as a sit-up pillow.  (What an economical way to go!!! 🙂 )

One of my favorite American recent writers is Louis L’Amour.  Yes, Louis was tremendously skillful at plotting, and his characters are amazingly individualistic—never the fare of “canned” formula fiction.  But most of all, I love this author for his painterly writing.  And he is my first assignment in my self-programmed Autumn Painting Agenda of painting en plein air via literature.  With words before me, I can pick up my brush and render my take on the scene described.

The above watercolor on Arches (pronounced “ARSH”—it’s French) 140 lb. cold press paper was inspired by the following description in Louis L’Amour’s SACKETT BRAND:  “The sun was just below the horizon and the red rock cliffs were weirdly lit.  Out of the west a tiny puff of dust lifted, grew, and became a fast running horse.”

I’m very excited about painting passages of literature.  Additional Louis L’Amour scenes may be forthcoming, plus quotes from painterly poems—including my own poems.  From long before I found the courage to pick up a paint brush—in fact for most of my life since early childhood—I have happily painted with words.

Margaret L. Been, 2013

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One point most artists agree upon is the wisdom of painting a favorite subject again and again—as a series or a lifetime of renderings, as evidenced in Monet’s many water lily paintings.  If the subject is something we dearly love, it will always hold our interest and we can capture this love in a plethora of colors, aspects, viewpoints, and styles. 

From little on, I have been fascinated by the vanished culture of the cliff dwellings in the four corners—Colorado, Utah, Arizona, and New Mexico—and other parts of the “Grand Circle” surrounding Mesa Verde where these states meet.  The history of the area is fraught with enigma, unanswered questions, and infinite speculation concerning how the people lived and why they abandoned their cities in the cliffs.  The area itself abounds in beauty which borders on the bizarre.

Although the term “Ancients” has been applied to many past cultures around the world, and even to fictional space aliens, the “Ancients” who capture me are those historic people who maintained a working civilization in the Grand Circle from approximately 1200 B.C. to 1300 A.D.—the Anasazi (meaning “ancient”), or Ancient Pueblo Native Americans.  Many sites in the Grand Circle are named after these people, who are generally referred to as “The Ancients”.

I have traveled in the Grand Circle, and I never tire of reading about the area—its history, cultural ruins, and theories as to what life may have been like for the cliff dwellers.  In recent years, my interest in the Southwest USA has intensified from reading many novels by Louis L’Amour set in that locale.  Not only does this author describe the region in painterly paragraphs which virtually pop off the page and into one’s imagination, but he creates an aura of mystery about the people who lived there—and fictionalizes this mystery into “cliff-hanging” plots which have kept me reading far into the night on several occasions.

Given my love for the Southwest, and my love for Louis L’Amour’s books, it is not surprising that aspects (usually dreamed up and fictionalized) tend to fall off my paintbrush onto paper.  The above, “hot off the palette” piece is titled Lost Amethyst Mine of the Ancients.  This is pure fiction.  I have no knowledge that the Ancients did any mining, or that there is amethyst quartz in the area.  Thus far I have found no online documentation that mining may have been part of that ancient culture.  I simply capture what comes to my mind when I think of Western mines and the culture of the Ancients.  I also love the color of amethyst!

I’ve been painting the Southwestern theme for months—and my zeal shows no indication of flagging.  Awhile back I produced a “favorite” which I named Lost Canyon of the Ancients. I may have posted it before, and a cropped version of it appears above in the header, but in any event here it is again:  ↓

This above bit of fantasy is now framed and hanging over our (electric) fireplace. 

Margaret L. Been, ©2012

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